Part III, the most recent, always looked fine and is better than ever here. A small amount of negative dirt, which shows up as white specks, is still here.
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Each movie fits onto its own single 50GB disc, and the compression yields backgrounds that are occasionally soft and artificial in appearance. I'm catching bits for the first time, like the monogram on Sonny Corleone's shirt or the amount written on the check ($50,000) that Michael hands to Senator Geary. It is used more so in Part II, for the young Vito flashbacks, again to exquisite effect.īright scenes however are a joy to watch, benefiting from the refreshed colors while not marred by the grain. Cinematographer Gordon Willis employed a golden tint that had heretofore bordered on dingy, but is now revealed as a classic, nostalgic tone that works beautifully. There is however a life in the colors, a newness, including shades that I've never seen in these movies before. While not present every moment, a layer of grain is frequently noticeable and is the greatest handicap of this remastered trilogy, especially in the darker scenes. One of the most marked differences over all previous video editions is the natural quality to the blacks, which are deep and believable. Prior cleanup attempts had made some improvement, but not nearly on the scale of The Coppola Restoration. Add in the less-than-perfect quality of film stock circa 1971 and the abundance of dark, dark scenes, and we were left with a soft, murky mess for far too long on home video. The success of the film necessitated many duplicate prints being copied off of the original film negative. Several factors have left the physical elements for the Godfathers in horrible condition.
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I know how they all end, so no worries about spoiled surprises, but the included vignette about the restoration helped me figure out what to look for, how to appreciate what we've been given in this significant new set. Godfather was an uncommon instance where I actually wanted to watch one of the featurettes, "Emulsional Rescue," before the movie itself. The truth is that this movie was made for the wrong reasons, to cash in on the Godfather name and mystique, and so ultimately it fails on multiple, profound levels. To learn more about how and for what purposes Amazon uses personal information (such as Amazon Store order history), please visit our Privacy Notice.Much of the blame for the poor reception of Part III has been placed on actress (and later writer/director) Sofia Coppola, who replaced Winona Ryder after she dropped out of the role of daughter Mary Corleone at the last minute, citing health concerns. You can change your choices at any time by visiting Cookie Preferences, as described in the Cookie Notice. Click ‘Customise Cookies’ to decline these cookies, make more detailed choices, or learn more. Third parties use cookies for their purposes of displaying and measuring personalised ads, generating audience insights, and developing and improving products.
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